Back Up n da Chevy is the second and final studio album by American Southern hip hop group Boyz n da Hood. It was released on August 7, 2007 through Bad Boy South/Atlantic Records. Production was handled by Dee Jay Dana, The Runners, Big Duke, Carl Mo, Caviar, Crown Kingz Productions, Drumma Boy, Fangaz and Oz, with P. Diddy and Russell Spencer serving as executive producers. It features guest appearances from Yung Joc, Alfamega, Durty, Ice Cube, Rick Ross, T-Rok and T-Pain. The album debuted at number 51 on the Billboard 200 chart in the United States selling 15,700 units,[6] and felt to number 100 on its second week, selling 8,300 copies.
John Singleton's debut as a director, Boyz N the Hood, was naturally compared to other urban dramas that came out during the early '90s -- such as New Jack City, Straight out of Brooklyn, Menace II Society, Fresh, Juice, and South Central. While the soundtrack for South Central was heavy on late-'70s and early-'80s funk, the soundtracks released for all the other films were filled out with up-to-date hardcore rap and youthful R&B, so they too were stacked up against one another. Boyz N the Hood's soundtrack is uneven as the others, though it does contain a handful of tracks that no fan of early-'90s rap should be without. (Granted, most of them had already appeared on studio albums by the respective artists.) While none of the R&B cuts are poor, not a single one would be remembered if they weren't bound to scenes in the film. Bits of the evocative score, from Stanley Clarke and Quincy Jones, are also included.
boyz in the hood album zip
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Jeriq raps in Igbo in this body of work as he serenades about his life story in the hood and how he has been dreaming bigger. Phyno has been ruling the Igbo rap side in the industry but you should all look out for jeriq because he is promising.
Suddenly, as my eyes wandered aimlessly aboutthe room, they fell upon some documents on thetable referring to the sale of Hill Side, whichPhilip had brought down to shew us, and whichI knew he had intended to take away. Reflectingthat he was very desirous of completing thepurchase, that the delay of a post might make adifference, and that I might yet overtake him ifI were quick, I hurriedly caught up the papersin my hand and ran down the lane towards thestile. Have I mentioned that there was a sharpcurve in the lane before it reached the stile, sothat you came close upon the latter before it wasin sight? I had just arrived at the curve whenthe sound of voices reached me; and recollectingthat I had not waited to put my hat on, and notwishing to be recognised by any one, I paused amoment to draw the hood of my cloak over myhead.
We know nothing of the history of St Fillan'sfoundation during the first five centuries, in whichthe founder's staff passed through the hands of hisvarious successors as the symbol of office of theabbot of Glendochart. But in the time of KingWilliam the Lion, we find that the office hadbecome secularised, and the abbot appears as agreat lay lord, ranking after the Earl of Athole,and appointed alternatively with him as theholder of the assize, in all cases of stolen cattlein that district of Scotland. Whether he heldthe crosier in virtue of his office we cannottell; but the likelihood is that it was when theoffice was first usurped by a layman, that thecrosier was placed by the last of the true successorsof St Fillan in the custody of a 'dewar'or hereditary keeper, with the dues and privilegeswhich we afterwards find attached to this office.Such an arrangement was not uncommon in connectionwith similar relics of the ancient Celticchurch. We thus find the dewar of the Cogerachof St Fillan in possession of the lands of Eyichin Glendochart in 1336. In process of time theofficial title of dewar became the family surnameof Dewar; and we have a curious instanceof the Celtic form of the patronymic in a chartergranted in 1575 by Duncan Campbell of Glenorchyto Donald Mac in Deora vic Cogerach.
It is astonishing how soon pleasant habits maybe formed. Before the next week had passed itbecame quite the custom of the children to comeinto Mr Broughton's rooms at least once a day,ostensibly to play with Dandy; but also theybrought their toys to shew to Dandy's master, andchattered away, as bright, eager, fresh-hearted childrenare pretty sure to do with those whom, by somesubtle instinct, they at once recognise as friends.Dandy's canine predecessor in the house, the muchlamented Topsy, was a frequent subject of conversation.Her accomplishments were described,though admitted to be fewer than Dandy's, and herdeath and burial dwelt on with some pathos. Andone day little Ally came into the room hugging athick photographic album in her arms. She hadbrought it for the express purpose of shewing poorTopsy's likeness.
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